DESIGNSORCERESS
I turn ideas into cinematic visual experiences.
AI-powered commercials, social films, product stories and cinematic shorts, concepted, directed and finished end to end.
AI sits inside the production process the way a camera does. The concept, story, visual direction, shot design, composition, pacing and final cut are creative decisions, made deliberately, before anything is rendered.
Technology enables the work. Creative direction gives it meaning.
SELECTED WORK
AI COMMERCIALS
Brand films and spec commercials built shot by shot, not prompt by prompt.
JAZZY'S BURGER
Appetite-led food cinematography: hard key light, tight macro moves, rhythm cut to sound.
VÉRANE
A fragrance for those who don't enter a room unnoticed. Presence, bottled.
CLOSE-UP
A tightly framed product spot, macro detail, controlled light and a single hero shot held just long enough to land.
OPAY
Exclusive promotional campaign film for OPay.
AI UGC
Short-form, social-first pieces composed vertically from the first frame.
CORSRX
Skincare UGC spec commercial composed vertically for social attention.
GLOWELLE
Creator-style skincare spot shot for 9:16 attention.
AI SHORT FILMS
Narrative work where performance, pacing and continuity are directed.
LA JEFA
A cinematic story of ambition, power and the woman who refuses to play by anyone else's rules.
A SHORT LOVE STORY
A tender portrait of what love feels like between two young adults finding their way through life in Nigeria.
GIRL IN THE BLEACHERS
A coming of age short film about friendship, identity and the quiet moments that shape us.
SAY HI TO LENA
A darkly playful short film inspired by the tension and intrigue of Why Women Kill, with an original twist.
The tools change. Creative direction doesn't.
Every project is authored before anything is rendered, reference, palette, lens language, blocking and rhythm decided in advance. Nothing important is left to the prompt.
IDEA
The reason the film exists.
VISUAL DIRECTION
Palette, lensing, texture and reference.
STORY
Structure, pacing and intent.
COMPOSITION
Framing decided shot by shot.
CINEMATOGRAPHY
Light, movement and lens language.
CONSISTENCY
Character and product held across every frame.
EDIT
Rhythm, cut and finish.
SOUND
Score, design and voice.
BRAND INTENT
Work that serves the objective.
WHAT I CREATE
COMMERCIAL FILMS
AI-powered commercials and campaign visuals for brands.
SOCIAL & UGC
Short-form advertising and social content designed for platforms such as Instagram and TikTok.
PRODUCT FILMS
Cinematic product-focused videos without the traditional production overhead.
CINEMATIC STORIES
Short films, narrative pieces and visual storytelling.
CREATIVE DIRECTION
Concept development, visual direction, shot design and creative development for AI-powered productions.
THE CREATIVE BEHIND THE WORK
Jimoh Precious, fondly known as Design Sorceress, is a strategic brand designer and AI video creator focused on turning ideas into thoughtful visual experiences. Her work sits at the intersection of design, storytelling and emerging technology.
The practice sits where brand identity and visual design meet moving image, concepting, directing and finishing films that carry a clear point of view.
Design first. Direction always. The technology is simply how the frames arrive.
FROM IDEA TO FINAL FRAME
- 01
DISCOVER
Understand the brief, audience, product and objective.
- 02
CONCEPT
Develop the creative direction, story and visual concept.
- 03
DIRECT
Design the shots, compositions, characters, environments and visual language.
- 04
PRODUCE
Generate and curate the visual assets using appropriate AI production tools.
- 05
EDIT
Edit, refine, pace and finish the work.
- 06
DELIVER
Prepare final assets for the required platform and format.
- 20+
- 10+
- 100K+
- 4 years
QUESTIONS
Commercials, product films, social and short-form advertising, and cinematic narrative pieces, all directed rather than simply generated.
Yes. A short brief is enough to start. I develop the concept, visual direction and shot design before any production begins.
Absolutely. Product references, existing footage and brand assets can be integrated directly into the production.
Yes. Work is composed for its destination, 9:16, 4:5, 1:1 and 16:9, rather than cropped after the fact.
Short-form social pieces typically move fastest; commercials and narrative work take longer depending on scope. A timeline is confirmed after the brief.
Yes. Character, product, wardrobe, environment and lighting continuity are treated as a directing problem and controlled shot by shot.
Yes. Sound is part of the finish, score, design and voice are handled or sourced as the project requires.
Pricing is per project, based on scope, duration, deliverables and turnaround. Share the brief and you'll receive a clear proposal.